This study conducts an eco-techno critical analysis of Don DeLillo’s “White Noise” using Donna Haraway’s cyborg theory. It explores the novel’s depiction of a world where technology and nature blur, focusing on the Airborne Toxic Event as a metaphor for contemporary environmental challenges. The analysis examines the impact of technological advancements on the characters and the environment, illustrating a society on the brink of technological and ecological integration. The findings highlight the novel's relevance in understanding the complexities of modern technological and ecological interdependencies. 

Keywords: Alienation, Cyborg, Eco-techno, Hybridity, Hyperreality, Simulacra, Technological Dystopia